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Compas (French pronunciation:; Haitian Creole: konpa dirèk; [2] French: compas direct), also known as konpa or kompa, is a modern méringue dance music genre of Haiti. [1] The genre was popularized by Nemours Jean-Baptiste following the creation of Ensemble Aux Callebasses in 1955, which became Ensemble Nemours Jean-Baptiste in 1957.
Cadence rampa (Haitian Creole: kadans ranpa, [kadãs ɣãpa]), or simply kadans, [1] is a dance music and modern méringue popularized in the Caribbean by the virtuoso Haitian sax player Webert Sicot in the early 1960s. Cadence rampa was one of the sources of cadence-lypso. [2] [3] Cadence and compas are two names for the same Haitian modern ...
One of the most distinctive features of Haitian compas music is its steady, pulsing drumbeat, which makes it easy to dance to. [3] Haïti Chérie is a traditional patriotic and most recognizable song of Haiti that was written and composed by Dr. Othello Bayard de Cayes and was initially called Souvenir d'Haïti. It represents the pride Haitian ...
Méringue (French pronunciation:; Haitian Creole: mereng), also called méringue lente or méringue de salon (slow or salon méringue), [1] [2] is a dance music and national symbol in Haiti. [3] It is a string-based style played on the guitar , horn section, piano, and other string instruments unlike the accordion -based merengue , and is ...
Rabòday [7] emerged in the mid-2000s and was inspired by Rasin music, which is the mixture of traditional Haitian rhythms and with pop-rock music since the 1980s. As in Rasin, Rabòday talks about society's problems. [1]
The Haitian expression, Mereng ouvri bal, mereng fème ba; (The mereng opens the ball, the mereng closes the ball) alludes to the popularity and ubiquity of the méringue as an elite entertainment. In nineteenth-century Haiti, the ability to dance the méringue, as well as a host of other dances, was considered a sign of good breeding.
The carabinier (Haitian Creole: Karabinye, English: carabineer) is a traditional cultural dance from Haiti that originated back to the time of the Haitian Revolution deriving from a section of the kontradans that is said to have evolved into the méringue or mereng (Haitian Creole) dance. [1] [2] [3]
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