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Compas (French pronunciation:; Haitian Creole: konpa dirèk; [2] French: compas direct), also known as konpa or kompa, is a modern méringue dance music genre of Haiti. [1] The genre was popularized by Nemours Jean-Baptiste following the creation of Ensemble Aux Callebasses in 1955, which became Ensemble Nemours Jean-Baptiste in 1957.
What you’re unlikely to hear, however, is konpa — the Haitian dance music rooted in elements of jazz, ... 10 of them have videos on YouTube; 15 of them are confirmed hits; five are mega-hits ...
Méringue (French pronunciation:; Haitian Creole: mereng), also called méringue lente or méringue de salon (slow or salon méringue), [1] [2] is a dance music and national symbol in Haiti. [3] It is a string-based style played on the guitar , horn section, piano, and other string instruments unlike the accordion -based merengue , and is ...
One of the most distinctive features of Haitian compas music is its steady, pulsing drumbeat, which makes it easy to dance to. [3] Haïti Chérie is a traditional patriotic and most recognizable song of Haiti that was written and composed by Dr. Othello Bayard de Cayes and was initially called Souvenir d'Haïti. It represents the pride Haitian ...
The carabinier (Haitian Creole: Karabinye, English: carabineer) is a traditional cultural dance from Haiti that originated back to the time of the Haitian Revolution deriving from a section of the kontradans that is said to have evolved into the méringue or mereng (Haitian Creole) dance. [1] [2] [3]
Cadence rampa (Haitian Creole: kadans ranpa, [kadãs ɣãpa]), or simply kadans, [1] is a dance music and modern méringue popularized in the Caribbean by the virtuoso Haitian sax player Webert Sicot in the early 1960s. Cadence rampa was one of the sources of cadence-lypso. [2] [3] Cadence and compas are two names for the same Haitian modern ...
The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks . "Pattin' Juba" would be used to keep time for other dances during a walkaround.
A high-octane mélange of electronic sounds, live syncopated rhythms and politically charged lyrics, Raboday music was spearheaded by Fresh La, Haitian pop singer and leader of the band Vwadèzil. It has become the defining sound of a generation of young Haitians recovering from a major natural disaster: the devastating 2010 earthquake .