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Serbian epic poetry is a form of epic poetry written by Serbs originating in today's Serbia, Bosnia and Herzegovina and Montenegro. The main cycles were composed by unknown Serb authors between the 14th and 19th centuries. They are largely concerned with historical events and personages. The corpus of Serbian epic poetry is divided into cycles:
The dinar (Serbian: динар, pronounced; paucal: dinara / динара; abbreviation: DIN and дин ; code: RSD) is the currency of Serbia. The dinar was first used in Serbia in medieval times, its earliest use dating back to 1214. The dinar was reintroduced as the official Serbian currency by Prince Mihailo in
Serbian national myths and poems constantly invoke Mother Serbia. [6] Most notable depictions of Mother Serbia are found in Belgrade and Kruševac, both sculpted by Đorđe Jovanović. Her depiction is also used on the Serbian identity card. Salute: The three-finger salute is a salute which the thumb, index finger, and middle finger are extending.
The White Angel fresco from Mileševa monastery ; sent as a message in the first satellite broadcast signal from Europe to America, as a symbol of peace and civilization Guča Trumpet Festival, also known as Dragačevski Sabor, in western Serbia Part of a series on the Culture of Serbia History Middle Ages Monarchs People Languages Serbian language Old Serbian Traditions Dress Kinship ...
Ceremonial, stately, marchlike Polish dance, one of the 5 national dances of Poland, or a piece of music for such a dance French (danse) polonaise, "Polish (dance)", feminine of polonais, "Polish" OED: Polonaise: A woman's overdress popular in the 18th century French (robe à la) polonaise, "Polish (style dress)", feminine of polonais, "Polish" OED
The first mention of a "Serbian dinar" dates back to the reign of Stefan Nemanjić in 1214. Until the fall of the Serbian Despotate in 1459, most of the Serbian rulers minted silver dinar coins. Emperor Stefan Dušan adopted the Byzantine hyperpyron (perper), a large unit of currency: the imperial tax was one perper per year per house. [1]
First they searched the house to find out where the demons hide. They looked everywhere, at the same time shouting, dancing, jumping, knocking on the floor and walls with sticks, and teasing Bride. When they found the demons, they drove them out of the hiding place, and fought with them swinging their sabers and clubs.
Polish artist's impression of a wiła. According to Natalie Kononenko, the vilas are female spirits of nature, of an ambivalent relationship with humans. In fairy tales, they may act with malice towards them (killing people, destroying crops), but may also help the hero by giving him magical objects and mounts. [3]