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  2. Ach Gott, wie manches Herzeleid, BWV 3 - Wikipedia

    en.wikipedia.org/wiki/Ach_Gott,_wie_manches...

    Ach Gott, wie manches Herzeleid (Oh God, how much heartache), [1] BWV 3, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the second Sunday after Epiphany and first performed it on 14 January 1725.

  3. List of compositions by Peter Warlock - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_by...

    3. VOCAL with Chamber accompaniment [3] Year Title/First line Words by Vocal/choral forces Instrumental forces Notes 1919 My lady is a pretty one Solo voice String quartet 1920–22 The Curlew: W.B. Yeats Tenor solo Flute, Cor Anglais, String quartet Cycle of four songs 1927 Corpus Christi Soprano and baritone voices String quartet

  4. List of compositions by William Byrd - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_by...

    for 3 voices: The eagle's force; Of flatt'ring speech; In winter cold – whereat an ant; ... Free scores by William Byrd in the Choral Public Domain Library (ChoralWiki)

  5. Category:Choral compositions - Wikipedia

    en.wikipedia.org/wiki/Category:Choral_compositions

    This category is intended for choral works that are not anthems, cantatas, oratorios or operas. Subcategories. This category has the following 17 subcategories, out ...

  6. List of compositions by Gustav Holst - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_by...

    Choral: 3: 1895: Spring It Is Cheery: for mixed chorus a cappella: words by Thomas Hood: Choral: 4: 1895: O Lady, Leave That Silken Thread: for mixed chorus a cappella: words by Thomas Hood; also for baritone and piano Choral: 12: 1890s: All Night I Waited by the Spring: for female chorus a cappella: Choral: 13: 4: 1896: 3 Short Part-Songs

  7. List of chorale harmonisations by Johann Sebastian Bach

    en.wikipedia.org/wiki/List_of_chorale...

    Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.