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Stroboscopic effect is one of the particular temporal light artefacts. In common lighting applications, the stroboscopic effect is an unwanted effect which may become visible if a person is looking at a moving or rotating object which is illuminated by a time-modulated light source.
The stroboscopic effect refers to the phenomenon that occurs when there is a change in perception of motion, caused by a light stimulus that is seen by a static observer within a dynamic environment. The stroboscopic effect will typically occur within a frequency range between 80 and 2000 Hz, [ 19 ] though can go well beyond to 10,000 Hz for a ...
Aliasing can occur in signals sampled in time, for instance in digital audio or the stroboscopic effect, and is referred to as temporal aliasing. Aliasing in spatially sampled signals (e.g., moiré patterns in digital images) is referred to as spatial aliasing.
Created Date: 8/30/2012 4:52:52 PM
Stroboscopic effects are caused by aliasing that occurs when continuous rotational or other cyclic motion is represented by a series of short or instantaneous samples (as opposed to a continuous view) at a sampling rate close to the period of the motion. Rotating objects can appear counter-rotating, stationary, or rotating under a strobe light.
1540 Strobolume, a professional grade stroboscope produced by General Radio Close-up view of the 1540 Strobolume control box. Joseph Plateau of Belgium is generally credited with the invention of the stroboscope in 1832, when he used a disc with radial slits which he turned while viewing images on a separate rotating wheel.
Temporal light artefacts (TLAs) are undesired effects in the visual perception of a human observer induced by temporal light modulations. Two well-known examples of such unwanted effects are flicker and stroboscopic effect. Flicker is a directly visible light modulation at relatively low frequencies (< 80 Hz) and small intensity modulation levels.
n November 1954, 29-year-old Sammy Davis Jr. was driving to Hollywood when a car crash left his eye mangled beyond repair. Doubting his potential as a one-eyed entertainer, the burgeoning performer sought a solution at the same venerable institution where other misfortunate starlets had gone to fill their vacant sockets: Mager & Gougelman, a family-owned business in New York City that has ...