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The lotus was one of the two earliest Egyptian capitals motifs, the topmost members of a column. At that time, the motifs of importance are those based on the lotus and papyrus plants respectively, and these, with the palm tree capital, were the chief types employed by the Egyptians, until under the Ptolemies in the 3rd to 1st centuries BC ...
Nefertem (/ ˈnɛfərˌtɛm /; possibly "beautiful one who closes" or "one who does not close"; also spelled Nefertum or Nefer-temu) was, in Egyptian mythology, originally a lotus flower at the creation of the world, who had arisen from the primal waters. [2] Nefertem represented both the first sunlight and the delightful smell of the Egyptian ...
The left wedjat eye, symbolizing the Eye of Horus. The Eye of Horus, also known as left wedjat eye or udjat eye, specular to the Eye of Ra (right wedjat eye), is a concept and symbol in ancient Egyptian religion that represents well-being, healing, and protection. It derives from the mythical conflict between the god Horus with his rival Set ...
The lotus chalice is carved from a single piece of alabaster. The chalice takes the shape of a white lotus in full bloom, identified by its rounded petals. The supports for the handles are shaped like blue lotus flowers which are flanked by buds growing upward, with the god Heh seated on a basket (the neb symbol) on the tips of the petals.
Egyptian faience pottery (as opposed to modern faience) was made from fired earthenware colored with a glaze. The art style was popular in the Third Intermediate Period (c. 1069 BC – c. 664 BC) of Egyptian history. Blue-green, the most popular color used on the earthenware, was achieved through the use of a quartz and calcite lime-based glaze ...
The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom.. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard.
Tattooing has been practiced across the globe since at least Neolithic times, as evidenced by mummified preserved skin, ancient art and the archaeological record. [1][2] Both ancient art and archaeological finds of possible tattoo tools suggest tattooing was practiced by the Upper Paleolithic period in Europe.
Most early Egyptian forms of the motif appear later in Crete, Mesopotamia, Assyria and Ancient Persia, including the daisy-wheel-style lotus and bud border. [11] In the form of the palmette that appears most frequently on Greek pottery , [ 12 ] often interspersed with scenes of heroic deeds, the same motif is bound within a leaf-shaped or lotus ...