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Prosthetic makeup also known as special makeup effects or FX prosthesis, is the process of using prosthetic sculpting, molding and casting techniques to create advanced cosmetic effects. Prosthetics are used on stage and screen to create fantasy creatures, simulated injuries, or likenesses of other people.
Outstanding Prosthetic Makeup for a Miniseries or Movie [3] Door to Door: Matthew W. Mungle, Charles Porlier, Jayne Dancose TNT: Soldier's Girl: Raymond Mackintosh, Russell Cate Showtime: Taken: Charles Porlier, Patricia Murray, Rebeccah Delchambre Sci-Fi: Outstanding Makeup for a Series (Prosthetic) [4] Primetime Glick "Brendan Fraser / Ice Cube"
A facial prosthetic or facial prosthesis is an artificial device used to change or adapt the outward appearance of a person's face or head. When used in the theater , film , or television industry, facial prosthetic makeup alters a person's normal face into something extraordinary.
Mark Coulier (born 1964) is a British make-up artist [1] and prosthetic makeup expert. He has received three Academy Awards for The Iron Lady (2011), The Grand Budapest Hotel (2014), and Poor Things (2023). He also received two Primetime Emmy Awards for Merlin (1998) and Arabian Nights (2000).
Make-up artist, prosthetic makeup expert John Chambers (September 12, 1922 – August 25, 2001) was an American make-up artist and prosthetic makeup expert in both television and film. He received an Academy Honorary Award from the Academy of Motion Picture Arts and Sciences in 1968.
Christopher Tucker (23 March 1941 – 14 December 2022) was a British make-up artist for theatre and film. He specialized in the creation of prosthetic make-up for horror films. Among his notable works were the make-up effects for The Elephant Man, The Company of Wolves, and the stage musical The Phantom of the Opera.
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KNB EFX Group is an American special effects company that specializes in prosthetic makeup, animatronics, and other practical effects. It was founded in 1988 by Robert Kurtzman, Greg Nicotero, and Howard Berger, though Kurtzman left in 2003. After establishing a reputation for gory effects in horror films throughout the late 1980s and early ...