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The theme of the painting is a walk in the park. Macke had developed this favorite motive since the beginning of his career. The artist creates around the characters a world in which the people seem to match their stylized environment: the ladies appear in elegant tight dresses and fashionable hats while men wear dark suits and bowler hats.
For women's dress, the day-to-day outfit of the skirt and jacket style were practical and tactful, recalling the working-class woman. [3] Women's fashions followed classical ideals, and stiffly boned stays were abandoned in favor of softer, less boned corsets. [4] This natural figure was emphasized by being able to see the body beneath the ...
Some wear sheer aprons. The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s.
Although some images from Mycenaean Greece (c. 1750 – c. 1050 BCE) suggest both women and men wore primitive trousers, in classical ancient Greece and ancient Rome, trousers were rarely worn in general. [12] Instead, both wore a tunic as undergarment, with Roman women wearing a stola and men a toga as upper garment. [12]
He is dressed in a wide jacket and a white shirt, in the fashion of the period. The man's gloved left hand holds a second leather glove; an accessory used by the most refined gentlemen of the time. His right hand is adorned with a golden ring, a symbol of richness, and a necklace decorated with a sapphire and a pearl.
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In 1666, Charles II of England, Scotland and Ireland, following the earlier example of Louis XIV of France, decreed that at court, men were to wear a long coat, a vest or waistcoat (originally called a petticoat, a term which later became applied solely to women's dress), a cravat, a periwig or wig, and breeches gathered at the knee, as well as ...