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The reception of Der Freischütz surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year followed by Dresden, Leipzig, Hamburg, Munich, Karlsruhe, Königsberg, Prague, other German centres, Riga and Copenhagen. 1824 saw productions in four London theatres in four different adaptations, as well as an inadequate [8] adaptation by ...
Title page illustration from volume one, depicting "Der Freischütz "The Gespensterbuch (literally 'Ghost Book' or 'Book of Spectres' [1]) is a collection of German ghost stories written by August Apel and Friedrich Laun and published in seven volumes between 1810 and 1817.
Weber's fame from Der Freischütz led to another important commission, this time from the Royal Opera House, London. [20] For this he composed his final opera and only one in English, Oberon, to a libretto by James Planché, based on Christoph Martin Wieland's epic poem of the same name. [21] The work received much acclaim.
Freischütz is a German compound word, consisting of frei (' free ') and Schütz (' shooter ' or ' rifleman '). There are several theories that try to explain why the word frei is used. One is that it has a military origin, perhaps from terms like Freikorps (independent ' free-corps ' regiments), or the French franc-archer (' free-archer ').
Der Freischütz" was Apel's version of the Freischütz folktale, and it was published as the first story of the first volume of his and Friedrich Laun's Gespensterbuch horror anthology (1810). Friedrich Kind and Carl Maria von Weber drew on this version as the main source for the story of their opera Der Freischütz (1821).
Despite the popularity of the Berlioz arrangement, in 1873 Pyotr Ilyich Tchaikovsky described its use in Der Freischütz as "utterly incongruous", "tasteless" and "silly". [12] In 1879 he again criticised the practice, having attended a performance of the opera in Paris in which Gabrielle Krauss sang Agatha.
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Johann Friedrich Kind (4 March 1768, in Leipzig – 24 June 1843 in Dresden) was a German dramatist, most famous for writing the libretto for Carl Maria von Weber's opera Der Freischütz (1821). Biography