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The Reina-Valera Bible and most of its subsequent revisions, with the notable exceptions of the 2011 and 2015 revisions which uses "El Señor" (The Lord) and the 1990 revision which uses "El Eterno" (The Eternal), feature the divine name based on the Hebrew Tetragrammaton rendered as "Jehová" throughout the Old Testament starting at Genesis 2:4.
The Reina–Valera is a Spanish translation of the Bible originally published in 1602 when Cipriano de Valera revised an earlier translation produced in 1569 by Casiodoro de Reina. This translation was known as the "Biblia del Oso" (in English: Bear Bible ) [ 1 ] because the illustration on the title page showed a bear trying to reach a ...
Originally advocated by P. J. Wiseman (1888–1948) in his New discoveries in Babylonia about Genesis (1936) and republished by Wiseman's son, Donald Wiseman, as Ancient records and the structure of Genesis: A case for literary unity in 1985, the hypothesis received some support from R. K. Harrison (1969) but otherwise remained without ...
Protestant translations into Spanish began with the work of Casiodoro de Reina, a former Catholic monk, who became a Lutheran theologian. [22] With the help of several collaborators, [ 23 ] de Reina produced the Biblia del Oso or Bear Bible , the first complete Bible printed in Spanish based on Hebrew and Greek sources.
The churches of the Protestant Reformation translated the Greek of the Textus Receptus to produce vernacular Bibles, such as the German Luther Bible (1522), the Polish Brest Bible (1563), the Spanish "Biblia del Oso" (in English: Bible of the Bear, 1569) which later became the Reina-Valera Bible upon its first revision in 1602, the Czech ...
Cipriano de Valera (1531–1602) was a Spanish Protestant Reformer and refugee who edited the first major revision of Casiodoro de Reina's Spanish Bible, which has become known as the Reina-Valera version. Valera also edited an edition of Calvin's Institutes in Spanish, as well as writing and editing several other works.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the book of Genesis chapters 1 and 2. While the Jewish and Christian tradition is that the account is one comprehensive story, [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two different stories drawn from different sources.