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The first in the Pocket Cinema Camera line with the ability to shoot 4K video, this model included a 4/3 image sensor and mount, and is capable of both ProRes and Blackmagic Raw. [2] In August 2019, Blackmagic Design released the Blackmagic Pocket Cinema Camera 6K with a Super 35 camera sensor and EF mount for US$2,495. [3]
The Blackmagic Cinema Camera with a lens attached. The Cinema Camera is a line of digital movie cameras developed and manufactured by Blackmagic Design, introduced on September 4, 2012. They are a series of small form-factor cinema cameras that shoot in 6K, 4K, 2.5K, and 1080p resolution, making them more versatile when compared to standard ...
The Blackmagic URSA Broadcast G2 was released on November 12, 2021. [15] It is the second generation of the URSA Broadcast line of cameras, and features a 6K Super 35 sensor. The camera had been in development for some time, but was prioritized due to difficulty sourcing the sensors used in the previous generation. [16]
Blackmagic: Micro Cinema Camera: 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60 [35] Blackmagic: Pocket Cinema Camera [32] 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native)
Blackmagic Design Pty Ltd is an Australian digital cinema company and manufacturer based in South Melbourne, Victoria, Australia.It designs and produces broadcast and cinema-grade hardware; notably, high-end digital movie cameras, and also develops video editing software, such as the DaVinci Resolve and Blackmagic Fusion applications.
The Blackmagic Cinema Camera (often simply the Cinema Camera or BMCC) is a digital movie camera developed and manufactured by Blackmagic Design and released on September 4, 2012. It is part of the Cinema Camera family of digital movie cameras and shoots 2.5K video in raw , Apple ProRes , CinemaDNG and Avid DNxHD formats.
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
The following cameras allow audio and video to be shot in at least one raw (in the sense of a series of raw image format frames, such as in CineDNG) format. Lossy compression may be present. However, "raw" means the image data should not have gone through demosaicing and further processing, or at least the process should be reversible.