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"Love's Philosophy" is a poem by Percy Bysshe Shelley published in 1819. Background. The poem was published by Leigh Hunt in the December 22, ...
The roots of the classical philosophy of love go back to Plato's Symposium. [3] Plato's Symposium digs deeper into the idea of love and bringing different interpretations and points of view in order to define love. [4] Plato singles out three main threads of love that have continued to influence the philosophies of love that followed.
The four types of love described in philosophy include agape, phileo, storge, and eros. Agape is a type of unconditional love that is less common in society but more apparent between individuals and their god. Phileo is a love used to describe friendship between individuals. This love is commonly seen between friends in public, especially as ...
The Four Loves is a 1960 book by C. S. Lewis which explores the nature of love from a Christian and philosophical perspective through thought experiments. [1] The book was based on a set of radio talks from 1958 which had been criticised in the U.S. at the time for their frankness about sex.
Through practicing love, and thus producing love, the individual overcomes the dependence on being loved, having to be "good" to deserve love. He contrasts the immature phrases "I love because I am loved" and "I love you because I need you" with mature expressions of love, "I am loved because I love", and "I need you because I love you." [33]
Agathon complains that the previous speakers have made the mistake of congratulating mankind on the blessings of love, failing to give due praise to the god himself (194e): Love, in fact, is the youngest of the gods and is an enemy of old age (195b); Eros shuns the very sight of senility and clings to youth; he is dainty, tiptoeing through the ...
In Monia Chokri’s “The Nature of Love” (“Simple comme Sylvain”), a posh French-Canadian woman in a sexless marriage turns her life upside down for an affair with her contractor. The film ...
For a brief period, platonic love was a fashionable subject at the English royal court, especially in the circle around Queen Henrietta Maria, the wife of King Charles I. Platonic love was the theme of some of the courtly masques performed in the Caroline era, though the fashion for this soon waned under pressures of social and political change.