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In digital and analog audio, headroom refers to the amount by which the signal-handling capabilities of an audio system can exceed a designated nominal level. [1] Headroom can be thought of as a safety zone allowing transient audio peaks to exceed the nominal level without damaging the system or the audio signal, e.g., via clipping.
In analogue systems, alignment level in broadcast chains is commonly 0 dBu (0.775 volts RMS) and in professional audio is commonly 0 VU (4 dBu, 1.228 volts RMS). Under normal situations, the 0 VU reference allows for a headroom of 18 dB or more above the reference level without significant distortion.
Therefore, 16-bit digital audio found on CDs has a theoretical maximum SNR of 98 dB, and professional 24-bit digital audio tops out as 146 dB. As of 2011, digital audio converter technology is limited to an SNR of about 123 dB [12] [13] [14] (effectively 21 bits) because of real-world limitations in integrated circuit design.
On typical, real-world audio signals, a quasi-PPM under-reads the true peak by 6 to 8 dB. [5] Nevertheless, quasi-PPMs are still widely used in the digital age because of their usefulness in achieving programme balance. Overloads are avoided by allowing, typically, 9 dB of headroom when controlling digital levels with a quasi-PPM.
So for a 16-bit digital system, the Dynamic Range is 20·log(2 16 − 1) ≈ 96 dB. Sample accuracy/synchronisation Not as much a specification as an ability. Since independent digital audio devices are each run by their own crystal oscillator, and no two crystals are exactly the same, sample rate will be slightly different. This will cause the ...
The Octa's top speed will be limited by tire choice. The 22-inch all-seasons are rated to cope with the 155 mph the car is fully capable of, while the regular all-terrains cut that to 130 mph ...
Digital audio with undithered 20-bit quantization is theoretically capable of 120 dB dynamic range, while 24-bit digital audio affords 144 dB dynamic range. [6] Most Digital audio workstations process audio with 32-bit floating-point representation which affords even higher dynamic range and so loss of dynamic range is no longer a concern in ...
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