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Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788. It is sometimes referred to as the "Great G minor symphony", to distinguish it from the "Little G minor symphony", No. 25. The two are the only extant minor key among Mozart's symphonies. [1] [nb 1]
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Another convention of G minor symphonies observed in Mozart's No. 25 and No. 40 was the choice of the subdominant of the relative key (B ♭ major), E ♭ major, for the slow movement; other non-Mozart examples of this practice include J. C. Bach Op. 6, No. 6, from 1769, Haydn's No. 39 (1768/69) and Johann Baptist Wanhal's G minor symphony ...
Symphony No. 25 "Little G minor" G minor: 23:33 1773 Salzburg Symphony No. 25: Score and critical report (in German) in the Neue Mozart-Ausgabe; 201 186a Symphony No. 29: A major: 26:18 1774 Salzburg Symphony No. 29: Score and critical report (in German) in the Neue Mozart-Ausgabe; 202 186b Symphony No. 30: D major: 17:44 1774 Salzburg
Symphony No. 40 (Michael Haydn), F major symphony, MH 507, Perger 32, by Michael Haydn, composed in 1789 Symphony No. 40 (Mozart) , G minor symphony by Wolfgang Amadeus Mozart, composed in 1788 Topics referred to by the same term
Symphony No. 5 (WoO 31) ||(1835-36) Symphony No. 6 Op. 43 (1864, rev 1867) Franz Berwald: Symphony No. 1 "Serieuse" (1842, rev 1844) [7] Gaetano Brunetti: Symphony No. 22 (1783) Adam Carse: Symphony No. 2 (c. 1908) Carl Czerny: Symphony No. 6, Op. posth. (1854) [8] Carl Ditters von Dittersdorf: Symphony Grave g1 (by 1768) [9] Joachim Nicolas ...
The Symphony No. 25 in G minor, K. 183/173dB, was written by the then 17-year-old Wolfgang Amadeus Mozart in October 1773, [1] shortly after the success of his opera seria Lucio Silla. It was supposedly completed in Salzburg on October 5, a mere two days after the completion of his Symphony No. 24 , although this remains unsubstantiated.
Symphony No. 41 is the last of a set of three that Mozart composed in rapid succession during the summer of 1788. No. 39 was completed on 26 June and No. 40 on 25 July. [ 1 ] Nikolaus Harnoncourt argues that Mozart composed the three symphonies as a unified work, pointing, among other things, to the fact that the Symphony No. 41, as the final ...