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Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter and poet. He was known as a Dadaist and an abstract artist . Early life
Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, printmaker, graphic artist, and poet. [1] A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism in Europe. [1]
Jean Arp (September 16, 1886 – June 7, 1966) Alice Bailly (February 25, 1872 – January 1 1938) Johannes Baader (June 22, 1875 – January 15, 1955) Johannes Theodor Baargeld (October 9, 1892 – August 16 or 17, 1927) Hugo Ball (February 22, 1886 – September 14, 1927) André Breton (February 19, 1896 – September 28, 1966) Gino ...
Hans Johannes Siegfried Richter (/ ˈ r ɪ k t ər /; German: [ˈʁɪçtɐ]; 6 April 1888 – 1 February 1976) was a German Dada painter, graphic artist, avant-garde film producer, and art historian. In 1965 he authored the book Dadaism about the history of the Dada movement.
Dada (sometimes called Dadaism) is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design.The movement was a protest of the barbarism of the war; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art.
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century. It began in Zürich, Switzerland, in 1916, and spread to Berlin shortly thereafter. [33] To quote Dona Budd's The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of World War I.
Jean Rosenberg, whose eagle-eyed merchandising and designer discoveries helped define the Fifth Avenue specialty store Henri Bendel, died June 15 at the age of 97. A memorial service is not being ...
At the opening of the Galerie Dada in 1917, she danced to poetry by Hugo Ball while wearing a shamanic mask by Marcel Janco. [11] A year later, she was a co-signer of the Zürich Dada Manifesto. [12] As both a dancer and painter, Taeuber was able to incorporate Dada in her movement for dancing and was described as obscure and awkward. [13]