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The High Renaissance was dominated by three painters: Leonardo da Vinci, Michelangelo and Raphael; while Giovanni Bellini, Giorgione and Titian were the leaders of Venetian High Renaissance painting, with Correggio and Andrea del Sarto being other significant painters of the High Renaissance style.
The art historian Jill Burke was the first to trace the historical origins of the term High Renaissance.It was first coined in German by Jacob Burckhardt in German (Hochrenaissance) in 1855 and has its origins in the "High Style" of painting and sculpture of the time period around the early 16th century described by Johann Joachim Winckelmann in 1764. [2]
The period known as the High Renaissance of painting was the culmination of the varied means of expression [70] and various advances in painting technique, such as linear perspective, [71] the realistic depiction of both physical [72] and psychological features, [73] and the manipulation of light and darkness, including tone contrast, sfumato ...
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo ...
Leonardo da Vinci's Mona Lisa is an Italian art masterpiece famous worldwide. Considered an archetypal masterpiece of the Italian Renaissance, [1] [2] it has normally been on display at the Louvre in Paris since 1797. [3] Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula ...
The themes that preoccupied painters of the Italian Renaissance were those of both subject matter and execution – what was painted and the style in which it was painted. The artist had far more freedom of both subject and style than did a Medieval painter. Certain characteristic elements of Renaissance painting evolved a great deal during the ...
Leonardo is identified as one of the greatest painters in the history of Western art and is often credited as the founder of the High Renaissance. [3] Despite having many lost works and fewer than 25 attributed major works – including numerous unfinished works – he created some of the most influential paintings in the Western canon. [3]
Sfumato (English: / s f uː ˈ m ɑː t oʊ / sfoo-MAH-toh, Italian: [sfuˈmaːto]; lit. ' smoked off ', i.e. 'blurred') is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance.