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Pages in category "Fictional characters with alter egos" The following 54 pages are in this category, out of 54 total. This list may not reflect recent changes. A.
An alter ego (from Latin, "other I") is another self, a second personality or persona within a person. The term is commonly used in literature analysis and comparison to describe characters who are psychologically identical.
A distinct meaning of alter ego is found in the literary analysis used when referring to fictional literature and other narrative forms, describing a key character in a story who is perceived to be intentionally representative of the work's author (or creator), by oblique similarities, in terms of psychology, behavior speech, or thoughts, often ...
The Book of Dolores is a book of photographs and paintings exploring femininity written by William T. Vollmann and published in 2013 by powerHouse Books.Vollmann began seriously cross-dressing in 2008 and developed a female alter ego named Dolores.
Quailman is the alter ego of Doug Funnie in the animated TV sitcom Doug. Quiverwing Quack is the alter ego of Gosalyn Mallard in the Disney animated series Darkwing Duck. Ran is the alter ego of Sunao from the anime novel Sukisho. Duane Dibbley is the alter ego of Cat and Ace Rimmer is the alter ego of Rimmer in the sci-fi TV show Red Dwarf.
This series of essays embraced traditional womanhood. Martineau dedicated it to Elizabeth Barrett, as it was "an outpouring of feeling to an idealized female alter ego, both professional writer and professional invalid- and utterly unlike the women in her own family". Written during a kind of public break from her mother, this book was ...
She is the female counterpart without whom the male aspect, which represents consciousness or discrimination, remains impotent and void. As the female manifestation of the supreme lord, she is also called Prakriti, the basic nature of intelligence by which the Universe exists and functions.
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."