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Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Others who followed Jonson's style include Beaumont and Fletcher, whose comedy, The Knight of the Burning Pestle (c. 1607–08), satirizes the rising middle class and especially of those nouveaux riches who pretend to dictate literary taste without knowing much about literature at all. In the story, a grocer and his wife wrangle with the ...
The history of literature is the historical development of writings in prose or poetry that ... Drama was significantly developed as a literary form in the Yuan ...
Its drama is regarded as the highest achievement of Sanskrit literature. [156] It utilised stock characters , such as the hero ( nayaka ), heroine ( nayika ), or clown ( vidusaka ). Actors may have specialised in a particular type.
In Poetics, Aristotle discusses many key concepts of Greek drama, including the moment of tragic recognition (anagnorisis) and the purgation of audience feelings of pity and fear . Perhaps the most significant successor to Aristotelian dramaturgy is the Epic theatre developed by the twentieth century German playwright Bertolt Brecht .
Drama is literature intended for performance. [139] The form is combined with music and dance in opera and musical theatre (see libretto). A play is a written dramatic work by a playwright that is intended for performance in a theatre; it comprises chiefly dialogue between characters.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
From 240 BC to 100 BC, Roman theatre had been introduced to a period of literary drama, within which classical and post-classical Greek plays had been adapted to Roman theatre. [7] From 100 BC till 476 AD, Roman entertainment began to be captured by circus-like performances, spectacles, and miming while remaining allured by theatrical performances.