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"The Importance of Women's Paid Labour: Women at Work in World War II", Lynn Beaton (1982) [491] Zami: A New Spelling of My Name , Audre Lorde (1982) Feminist Theorists: Three Centuries of Key Women Thinkers , Dale Spender , ed. (1983)
It includes women writers for children that can also be found in the parent category, or in diffusing subcategories of the parent. Subcategories This category has the following 82 subcategories, out of 82 total.
Feminist literature is fiction or nonfiction which supports the feminist goals of defining, establishing and defending equal civil, political, economic and social rights for women. It often identifies women's roles as unequal to those of men – particularly as regards status, privilege and power – and generally portrays the consequences to ...
Women’s History Month is an excellent time to learn about the trailblazing women who came before us and are currently changing the world. Many women’s achievements have been given an even ...
American women writers of young adult literature (393 P) Pages in category "American women children's writers" The following 200 pages are in this category, out of approximately 908 total.
Feminist children's literature has played a critical role for the feminist movement, especially in the past half century. In her book Feminism Is for Everybody: Passionate Politics, bell hooks states her belief that all types of media, including writing and children's books, need to promote feminist ideals. She argues "Children's literature is ...
Rise: A Feminist Book Project, formerly known as the Amelia Bloomer Project and compiled by the American Library Association, is an annual list of books with significant feminist content that are intended for readers from birth to age 18. [1] [2] The Amelia Bloomer Project was started in 2002 and continued annually until the name change in 2020 ...
In the midst of Disney's commercially and critically successful renderings of fairy tales, women authors were working away behind the scenes to whip up their own bold takes. The conventions of the genre -- violence, fantasy, and morality – were gobbled up, roiled, rearranged fluidly, and spit back out anew.