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Tagalog maginoo (nobility) wearing baro in the Boxer Codex (c.1590). Baro't saya evolved from two pieces of clothing worn by both men and women in the pre-colonial period of the Philippines: the baro (also barú or bayú in other Philippine languages), a simple collar-less shirt or jacket with close-fitting long sleeves; [5] and the tapis (also called patadyong in the Visayas and Sulu ...
The María Clara gown, historically known as the traje de mestiza during the Spanish colonial era, [1] [2] is a type of traditional dress worn by women in the Philippines. It is an aristocratic version of the baro't saya .
The men's traditional clothing consists of red loincloth called wanes with tribal patterns, tattoos which is a symbol for bravery, and colorful bead necklaces. Women's clothing are usually similar to men's except that the women wear wrap-around skirt or called lufid and usually topless. In some parts of Cordilleras such as the Igorots in ...
Late 19th century barong tagalog made from piña with both pechera ("shirt front") and sabog ("scattered") embroidery, from the Honolulu Museum of Art. The barong tagalog, more commonly known simply as barong (and occasionally baro), is an embroidered long-sleeved formal shirt for men and a national dress of the Philippines.
The woman is wearing a mantón de Manila over her traditional traje de mestiza dress. The men are wearing barong tagalog with salakot headgear. Mantón de Manila are still worn in the Philippines as a rarer alternative to the pañuelo. They are part of the traje de mestiza ensemble (the aristocratic version of the national dress, the baro't saya).
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Tapis across various cultures in the Philippines may generally refer to a single, rectangular piece of cloth one wraps around oneself as clothing, but is also the term for a colorful, hand-woven wraparound skirt common in the pre-colonial period, and which is still used today as part of the María Clara gown and by culturally conservative tribes.