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Shiva Tandava is described as a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the Rudra Tandava depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself, the Ananda Tandava depicts him as joyful.
Shiva Tandava is classified into seven types, namely, Kali Tandava, Sandhya Tandava, Tripura Tandava, Ananda Tandava, Uma Tandava, Samhara Tandava, and Urdhva Tandava. [4] A few temples in Tamil Nadu are closely associated with Nataraja and have their own myths of dance along with the halls specific to their version of dance. [5]
The word Nataraja is a Sanskrit term, from नट Nata meaning "act, drama, dance" and राज Raja meaning "king, lord"; it can be roughly translated as Lord of the dance or King of the dance. [22] [23] According to Ananda Coomaraswamy, the name is related to Shiva's fame as the "Lord of Dancers" or "King of Actors". [24]
Bangladeshi artists performing in a dance show. The music dance styles of Bangladesh may be divided into three categories: classical, folk, modern. After gaining independence from British rule, East Bengal (Bangladesh) was still a colony of Pakistan. It was called East Pakistan.
Uday Shankar, the famous dance artist, was impressed by Anandamayi Ma's analysis of dance, which she used as a metaphor for the relationship between people and God. [12] From the 1950s onwards, the establishment of an official headquarters of the "Sri Sri Ma Anandamayi Sangh" in Varanasi marked the beginning of an institutionalization process.
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Dhamal (Bengali: ধামাল), better known as dhamail (Bengali: ধামাইল), is a form of Bengali folk music and dance prevalent in the Mymensingh and Sylhet regions of northeastern Bengal, in present-day Bangladesh and eastern India.
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