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The Father is a 2020 psychological drama film, directed by Florian Zeller in his directorial debut. He co-wrote the screenplay with fellow playwright Christopher Hampton on the basis of Zeller's 2012 play Le Père. A French–British co-production, the film stars Anthony Hopkins as an octogenarian Welsh man living with dementia
In the Name of the Father is a 1993 film directed by Jim Sheridan about the Guildford Four. In the Name of the Father may also refer to: In the Name of the Father, an Iranian film by Ebrahim Hatamikia; In the Name of the Father, an album by Altar; In the Name of the Father, a 1978 novel by Tony Ardizzone
Flying immediately to Los Angeles, he ends up becoming a caretaker of his father Jake while Bette is recovering. A retired aerospace industry worker, Jake has become somewhat feeble and totally reliant on his wife, so John attempts to get him more involved in day-to-day things like taking care of the house. Father and son bond.
The film opens with Michael Landon Jr. as a child (Shawn Pyfrom) living a comfortable and happy life with his family: his father, Bonanza star Michael Landon (John Schneider); his mother, Lynn Noe Landon (Cheryl Ladd); and his elder sister, Leslie Landon (Rachel Duncan). Landon is a compassionate and loving father who dotes on his children.
In the Name of the Father is a 1993 biographical crime drama film co-written and directed by Jim Sheridan. It is based on the true story of the Guildford Four , four people falsely convicted of the 1974 Guildford pub bombings that killed four off-duty British soldiers and a civilian. [ 2 ]
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The Father (Persian:پدر , pedar) is a 1996 Iranian film by director Majid Majidi. It won a number of awards at film festivals both within Iran and internationally. The word pedar means father in Persian. [1] [2] [3]
But in the end he couldn't get a studio to back it so the project became a made-for-television movie for HBO instead. By the time it was shot there'd been so many artistic compromises – in particular two fundamental changes in the story – that it ceased to have the feel of the novel.