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This is an accepted version of this page This is the latest accepted revision, reviewed on 16 December 2024. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
Known for promoting Manifest Destiny, she backed William Walker and his filibuster campaigns in Central America. [85] Cazneau supported expansionist political movements and filibuster wars through her extensive contributions to newspapers, journals, and other publications. [86] She is often called the "Mistress of Manifest Destiny."
William Walker (May 8, 1824 – September 12, 1860) was an American physician, lawyer, journalist, and mercenary.In the era of the expansion of the United States, driven by the doctrine of "manifest destiny", Walker organized unauthorized military expeditions into Mexico and Central America with the intention of establishing colonies.
In the 19th century, Manifest Destiny was driven by ideological, economic and demographic forces: a growing population, belief in cultural superiority and economic opportunity. These conditions ...
On February 28, 1844, Benton was present at the USS Princeton explosion when a cannon misfired on the deck while giving a tour of the Potomac River. The incident killed at least seven people, including United States Secretary of State Abel P. Upshur and United States Secretary of the Navy Thomas W. Gilmer, and wounded over twenty. Benton was ...
Brown, Charles H. Agents of Manifest Destiny: The Lives and Times of the Filibusters. University of North Carolina Press, 1980. ISBN 0-8078-1361-3. Karp, Matthew (2016). This Vast Southern Empire: Slaveholders at the Helm of the American Foreign Policy. Cambridge, MA: Harvard University Press. ISBN 978-0-674-73725-9.
In A Tour of Duty, Revere also demonstrates his support of Manifest destiny: he states that the "Anglo-Saxon race...seems destined to possess the whole of the North American Continent." [20] Revere's illustration of a Ranchero (Rancho owner) capturing a bear, possibly a metaphor for the 1847 Conquest of California
Bierstadt was a shrewd self-promoter and a gifted artist, and this was the first of his paintings to be widely promoted with a single-picture exhibition accompanied by a pamphlet, engravings, and a tour. [16] The painting, with its ten-foot width, was intended both for exhibition halls and the homes of America's emergent millionaire class. [17]