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  2. Frame rate - Wikipedia

    en.wikipedia.org/wiki/Frame_rate

    At its native 24 FPS rate, film could not be displayed on 60 Hz video without the necessary pulldown process, often leading to "judder": to convert 24 frames per second into 60 frames per second, every odd frame is repeated, playing twice, while every even frame is tripled. This creates uneven motion, appearing stroboscopic.

  3. Three-two pull down - Wikipedia

    en.wikipedia.org/wiki/Three-two_pull_down

    In the United States and other countries where television uses the 59.94 Hz vertical scanning frequency, video is broadcast at 29.97 frame/s. For the film's motion to be accurately rendered on the video signal, a telecine must use a technique called the 2:3 pull down (or a variant called 3:2 pull down) to convert from 24 to 29.97 frame/s.

  4. List of films with high frame rates - Wikipedia

    en.wikipedia.org/wiki/List_of_films_with_high...

    Shown in cinemas in 24 fps. The original 50 fps presentation is not in any home video release. Love & Pop: Hideaki Anno: Japanese: 60 Shot on digital video in interlaced 60 fps, with some scenes shot on 35 mm movie film in 24 fps. Shown in cinemas in 24 fps and in interlaced 60 fps with 24 fps segments on DVD and Blu-ray. 1999 The Blair Witch ...

  5. Telecine - Wikipedia

    en.wikipedia.org/wiki/Telecine

    Also, other patterns have been described that refer to the progressive frame rate conversion required to display 24 frame/s video (e.g., from a DVD player) on a progressive display (e.g., LCD or plasma): [11] 24 frame/s to 96 frame/s (4× frame repetition): pulldown is 4:4; 24 frame/s to 120 frame/s (5× frame repetition): pulldown is 5:5

  6. High frame rate - Wikipedia

    en.wikipedia.org/wiki/High_frame_rate

    A few film formats have experimented with frame rates higher than the 24 fps standard. The original 3-strip Cinerama features of the 1950s ran at 26 fps. [3] The first two Todd-AO 70 mm features, Oklahoma! (1955) and Around the World in 80 Days (1956) were shot and projected at 30 fps. [4] Douglas Trumbull's 70 mm Showscan film format operated ...

  7. 24p - Wikipedia

    en.wikipedia.org/wiki/24p

    NTSC to PAL conversion also tends to blur each film frame into the next, and so is seen as a sub-optimal way to view film footage. 30p can be preferable over 24p since performing a standards conversion to 25i PAL has fewer technical complexities – any NTSC–PAL converter will do. The larger differences between the 30p and 25i framerates will ...

  8. 10 Foods You Should Never Eat on a Road Trip - AOL

    www.aol.com/10-foods-never-eat-road-200000536.html

    High Fiber Foods. You should rethink eating foods like beans and broccoli until you reach your destination. While good for your body in general, fiber can cause gas and bloating. Digestion of high ...

  9. Variable frame rate - Wikipedia

    en.wikipedia.org/wiki/Variable_frame_rate

    Variable frame rate (or VFR) is a term in video compression for a feature supported by some container formats which allows for the frame rate to change actively during video playback, or to drop the idea of frame rate completely and set an individual timecode for each frame.