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Filmmakers may originate their projects at 120, 240 or 300 fps so that it may be evenly pulled down to various multiple differing frame rates for distribution, such as 25, 30, 50, and 60 fps for video and 24, 48 or 60 fps for cinematic theater. The same is also done when creating slow motion sequences and is sometimes referred to as "overcranking."
Newer video standards support 120, 240, or 300 frames per second, so frames can be evenly sampled for standard frame rates such as 24, 48 and 60 FPS film or 25, 30, 50 or 60 FPS video. Of course these higher frame rates may also be displayed at their native rates.
60 Shot on digital video in interlaced 60 fps, with some scenes shot on 35 mm movie film in 24 fps. Shown in cinemas in 24 fps and in interlaced 60 fps with 24 fps segments on DVD and Blu-ray. 1999 The Blair Witch Project: Daniel Myrick, Eduardo Sanchez: English Shot on Hi8 in interlaced 60 fps, with some scenes shot on 16 mm film in 24 fps ...
The Sony PMW-F55 can record XAVC with 4K resolution at 30 fps at 300 Mbit/s and 2K resolution at 30 fps at 100 Mbit/s. [41] XAVC can record 4K resolution at 60 fps with 4:2:2 chroma sampling at 600 Mbit/s. [42] [43]
The Sony Action Cam is a series of video-recording devices made by Sony, intended for capturing video while practicing sports. The lineup currently comprises: HDR-AS10: a 170º FOV camera featuring 1080p 30 FPS video, 720p slow motion up to 120 FPS or 1080p at 60 FPS. It features a Carl Zeiss Vario-Tessar lens and Exmor R CMOS sensor and BIONZ ...
GoPro, Sony and other action camera competitors record video at 1080p and 2.7k at 120 fps, 720p and 1080p at 240 fps, and 4k at 60 fps. Although the video formats were designed for slowing down in post-production, the cameras generally record very high frame rates [7] in high definition with generally clear audio.
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YouTube allowed users to upload videos at 50 FPS and 60 FPS in June 2014. YouTube also allowed full HFR videos previously uploaded before 2014. Douglas Trumbull, who undertook experiments with different frame rates that led to the Showscan film format, found that emotional impact peaked at 60 FPS for viewers. [16]