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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
Common aspect ratios used in film and display images. The common film aspect ratios used in cinemas are 1.85:1 and 2.40:1. [1] Two common videographic aspect ratios are 4:3 (1. 3:1), [a] the universal video format of the 20th century, and 16:9 (1. 7:1), universal for high-definition television and European digital television.
(* The pixel number of 6,000x4,000 ist the number of "effective pixels". The sensor usually has a few extra rows of pixels on all four sides, which explains the sensor resolution of 24.3 MPixels often stated, but no information about the exact image size available.) 6,016 4,000 24,064,000 24.1 Nikon D3300 Canon M50: 6,048 4,032 24,385,536 24.4
The "C" and "P" formats are formed by cropping the 30.2 × 16.7 mm "High Definition" image, which uses the same 16:9 aspect ratio as high-definition television. The "C" format has the same 3:2 aspect ratio as a 135 film image. Most APS cameras (with the exception of some disposable cameras) can record all three formats.
A blank space means that manufacturer did not make film in that size. Two numbers in one box refers to films available with different numbers of exposures, usually 6 and either 10 or 12. Spool length is measured between inner faces of the flanges; several films of the same image size were available on different spools to fit different cameras.
Frame number markings for three standard image formats (6×4.5, 6×6, and 6×9 [4:3, 1:1, and 2:3 aspect ratios]; see below) are printed on the backing paper. The 220 format was introduced in 1965 and is the same width as 120 film, but with about double the length of film and thus twice the number of possible exposures per roll.