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Jacobean embroidery refers to embroidery styles that flourished in the reign of King James I of England in first quarter of the 17th century. The term is usually used today to describe a form of crewel embroidery used for furnishing characterized by fanciful plant and animal shapes worked in a variety of stitches with two-ply wool yarn on linen .
The origin of the word crewel is unknown but is thought to come from an ancient word describing the curl in the staple, the single hair of the wool. [5] The word crewel in the 1700s meant worsted, a wool yarn with twist, and thus crewel embroidery was not identified with particular styles of designs, but rather was embroidery with the use of this wool thread.
Stumpwork picture worked in silk and metal thread on silk, with pearls and beads, 17th century. An anatomical embroidery of the lungs using stumpwork to give depth. Stumpwork or raised work is a style of embroidery in which the stitched figures are raised from the surface of the work to form a 3-dimensional effect.
The Butler-Bowdon Cope, 1330–1350, V&A Museum no. T.36-1955.. The Anglo-Saxon embroidery style combining split stitch and couching with silk and goldwork in gold or silver-gilt thread of the Durham examples flowered from the 12th to the 14th centuries into a style known to contemporaries as Opus Anglicanum or "English work".
Blackwork in silk thread on linen was the most common domestic embroidery technique for clothing (shirts, smocks, sleeves, ruffs, and caps) and for household items such as cushion covers throughout the reign of Elizabeth I, but lost popularity as a technique by the 17th century.
Point de Venise is a Venetian needle lace from the 17th century characterized by scrolling floral patterns with additional floral motifs worked in relief (in contrast with the geometric designs of the earlier reticella). [2] By the mid-seventeenth century, it had overtaken Flemish lace as the most desirable type of lace in contemporary European ...