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Later came William Sharp's anthology of American Sonnets (1889) [98] and Charles H. Crandall's Representative sonnets by American poets, with an essay on the sonnet, its nature and history (Houghton Mifflin & Co., 1890). The essay also surveyed the whole history of the sonnet, including English examples and European examples in translation, in ...
For that generation, Milton's example was the one generally followed, although the long history of the Italian sonnet was not forgotten, especially among women writers. Charlotte Smith incorporated a few translations from Petrarch among her Elegiac Sonnets , [ 4 ] while Anna Seward 's sonnet "Petrarch to Vaucluse" is an imitation written in the ...
Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet; Petrarchan (or Italian): traditionally follows the rhyme scheme ABBA ABBA CDECDE; a common variation of the end is CDCDCD, especially within the ...
Many English sonnet sequences start with addresses to the reader, and “many of [these addresses] specifically raise questions about the relationship between being in love and writing and reading love sonnets”. [5] The beloved is a major interest of sonnet sequences, but the poetry itself is also an important focus. While the soulful poetry ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In the quatorzain, there is, properly speaking, no sestet, but a quatrain followed by a couplet, as in the case of English sonnets. Another form of sestet has only two rhymes, ABABAB, as is the case in Gray's famous sonnet On the Death of Richard West. The sestet marks the turn of emotion in the sonnet. As a rule, with the octave having been ...
During the eighteenth century, The Sonnets ' reputation in England was relatively low; in 1805, The Critical Review credited John Milton with the perfection of the English sonnet. Towards the end of the nineteenth century, Shakespeare and Milton seemed to be on an equal footing, [ 60 ] but critics, burdened by an over-emphasis on biographical ...
By convention, sonnets in English typically use iambic pentameter, while in the Romance languages, the hendecasyllable and Alexandrine are the most widely used meters. Sonnets of all types often make use of a volta , or "turn," a point in the poem at which an idea is turned on its head, a question is answered (or introduced), or the subject ...