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"Abyssinia, Henry" is the 72nd episode of the M*A*S*H television series and the final episode of the series' third season. It was written by Everett Greenbaum and Jim Fritzell, and it first aired on March 18, 1975.
The episode is dedicated to Connie Izay, RN, one of the show's medical advisors, who died before the episode aired. Although this was the penultimate episode of the series, it was the final episode produced, wrapping on January 14, 1983 at exactly 6:05 p.m. [ 1 ] The series finale, " Goodbye, Farewell and Amen ", had been filmed earlier in the ...
Except for the fourth season, where it dropped to number 15, the series stayed in the top 10 for the remainder of its run. The final episode, "Goodbye, Farewell and Amen", became the most-watched show in American television history with 106 million viewers. [7] During its 11-year run M*A*S*H received 14 Emmy Awards. [8]
Note – This is the final episode for both McLean Stevenson and Wayne Rogers. 1952 is given as the current year, based on a present Radar gives Lt. Col. Blake. In 1997 and 2009, TV Guide ranked this episode #20 on its list of the 100 Greatest Episodes. [1] [2
Over 100 million viewers agree: M*A*S*H's feature-length series finale is one of the greatest mic drops in television history.Premiering 40 years ago on Feb. 28, 1983, the two-and-a-half-hour sign ...
Its final episode in 1983 was the most-watched in television history. [2] Trapper John, M.D. featured the character of Trapper John McIntyre, played by Pernell Roberts, twenty-eight years after the events of the M*A*S*H film and television series. It was the first spin-off to feature a character from the series in civilian life after the war.
The episode was broadcast in black and white and was the final episode for series developer Larry Gelbart. Loretta Swit does not appear. Recently, a full-color version of this episode has appeared on Hulu. The opening comment, "The following is in black and white," remains intact, however.
B.J. and Charles have a clash of the egos while working together on a medical paper. Third and final appearance of Scully, whose more traditional attitudes toward relationships clash with Margaret's less stringent views. Harry Morgan received a Primetime Emmy Award nomination for directing this episode.