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Story of O (French: Histoire d'O, IPA: [istwaŹ do]) is a 1975 erotic drama film directed by Just Jaeckin from a screenplay by Sébastien Japrisot, based on the 1954 novel of the same name by Pauline Réage. [3] It stars Corinne Cléry and Udo Kier. A sequel titled Story of O: Chapter 2 was released in 1984.
The Chords were an American doo-wop vocal group formed in 1951 in The Bronx, [1] known for their 1954 hit "Sh-Boom", which they wrote. [ citation needed ] It is the only song they created that reached mainstream popularity.
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Eventually, Desclos publicly admitted that she was the author of The Story of O in 1994, 40 years after the book was published, in an interview with The New Yorker. [ 2 ] [ 4 ] [ 5 ] [ 6 ] She also explained the pseudonym of Pauline Réage: she chose the first name in homage to Pauline Bonaparte and Pauline Roland and she randomly picked up the ...
It was the last album C.M.W. released before their long hiatus. Finally, after a break of eight years, C.M.W. released Represent in 2000 on the independent record label Half Ounce Records Inc. owned by MC Eiht, Boom Bam and deceased rapper Bird from Lil Hawk and Bird. The album featured the single "This Is Compton 2000" and "Some May Know", but ...
The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010.
The song was released in November 1957 and peaked at number one on two US country charts (C&W Best Sellers in Stores and Most Played C&W by Jockeys), staying for four weeks on Best Sellers in early 1958. [6] [7] It also crossed over to the pop chart, reaching number fifteen. [8] It reached number two on the Australian Singles Chart. [citation ...
Diminished major seventh chords are very dissonant, containing the dissonant intervals of the tritone and the major seventh.They are frequently encountered, especially in jazz, as a diminished seventh chord with an appoggiatura [citation needed], especially when the melody has the leading note of the given chord: the ability to resolve this dissonance smoothly to a diatonic triad with the same ...