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Film studies as an academic discipline emerged in the 20th century, decades after the invention of motion pictures.Rather than focusing on the technical aspects of film production, film studies are concentrated on film theory, which approaches film critically as an art, and the writing of film historiography.
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
Historiography is the study of the methods used by historians in developing history as an academic discipline, and by extension, the term historiography is any body of historical work on a particular subject. The historiography of a specific topic covers how historians have studied that topic by using particular sources, techniques of research ...
Before moving to Yale, he taught for thirty years at the University of Iowa. Andrew has been called, on the occasion of one of his invited lecture series, "one of the most influential scholars in the areas of theory, history and criticism". [3] He particularly specializes in world cinema, film theory and aesthetics, and French cinema.
Historical method is the collection of techniques and guidelines that historians use to research and write histories of the past. Secondary sources, primary sources and material evidence such as that derived from archaeology may all be drawn on, and the historian's skill lies in identifying these sources, evaluating their relative authority, and combining their testimony appropriately in order ...
Robert Stam (born October 29, 1941) is an American film theorist working on film semiotics. He is a professor at New York University, where he teaches about French New Wave filmmakers. [1] Stam has published widely on French literature, comparative literature, and on film topics such as film history and film theory.
The term is used for works of fiction which combine the literary devices of metafiction with historical fiction.Works regarded as historiographic metafiction are also distinguished by frequent allusions to other artistic, historical and literary texts (i.e., intertextuality) in order to show the extent to which works of both literature and historiography are dependent on the history of discourse.
Critical historiography approaches the history of art, literature or architecture from a critical theory perspective. Critical historiography is used by various scholars in recent decades to emphasize the ambiguous relationship between the past and the writing of history. Specifically, it is used as a method by which one understands the past ...