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The song's introduction uses the chords D–A–G–A–D–G–D–A, while the verses use the chord progression D–A–G–D–A–G–D–A–G–A–D–A. The bridge uses the progression Bm-G-A. [3] The song features a slide guitar solo by Ry Cooder. [4] In the lyrics Morrison describes the feeling of encounters with "the Lord".
"The Soft Parade" is a song composed by the American rock group the Doors, though credited to lead singer Jim Morrison only. [4] It was recorded for their fourth studio album, also titled The Soft Parade (1969), appearing as the closing track.
Lord, make me an instrument of your peace. Where there is hatred, let me bring love. Where there is offence, let me bring pardon. Where there is discord, let me bring union. Where there is error, let me bring truth. Where there is doubt, let me bring faith. Where there is despair, let me bring hope. Where there is darkness, let me bring your light.
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
The music and lyrics were first printed in the 1907 Folk Songs of the American Negro, edited by Frederick J. Work. [ 2 ] [ 3 ] The song has been recorded by artists including Yolanda Adams , Chanticleer , Kirk Whalum , Hank Jones , Little Richard , Cassietta George , John Fahey , the Mormon Tabernacle Choir , Barbara Hendricks , James Cleveland ...
Search me and try me, Master, today! Whiter than snow, Lord, wash me just now, As in Thy presence humbly I bow. Have Thine own way, Lord! Have Thine own way! Wounded and weary, help me, I pray! Power, all power, surely is Thine! Touch me and heal me, Savior divine. Have Thine own way, Lord! Have Thine own way! Hold o’er my being absolute sway!
O Herr, mache mich zum Werkzeug deines Friedens" (O lord, make me an instrument of your peace), Op. 37/1, is a motet by Kurt Hessenberg for a six-part mixed choir a cappella, composed in 1946.
Like Psalms 146, 147, 148, and 149, Psalm 150 begins and ends in Hebrew with the word Hallelujah. [3] Further, David Guzik notes that each of the five books of Psalms ends with a doxology (i.e., a benediction), with Psalm 150 representing the conclusion of the fifth book as well as the conclusion of the entire work, [4] in a more elaborate manner than the concluding verses which close the ...