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Download QR code; Print/export Download as PDF; Printable version; In other projects ... List of musical scales and modes Name Image Sound Degrees
The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period. In all three contexts, "mode" incorporates the idea of the diatonic scale , but differs from it by also involving an element of melody type .
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
Modes of limited transposition are musical modes or scales that fulfill specific criteria relating to their symmetry and the repetition of their interval groups. These scales may be transposed to all twelve notes of the chromatic scale, but at least two of these transpositions must result in the same pitch classes, thus their transpositions are "limited".
Download as PDF; Printable version; In other projects Wikimedia Commons; ... Media in category "Modes (music)" The following 2 files are in this category, out of 2 total.
Music in the Middle Ages: With an Introduction on the Music of Ancient Times. New York: W. W. Norton. ISBN 0-393-09750-1. Roesner, Edward H. (2001). "Rhythmic Modes [Modal Rhythm]". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
Music theory is a set of systems for analyzing, classifying, and composing music and the elements of music.Narrowly it may be defined as the description in words of elements of music, and the interrelationship toward the notation of music and performance practice.
In music a distance model is the alternation of two different intervals to create a non-diatonic musical mode such as the 1:3 distance model, the alternation of semitones and minor thirds: C-E ♭-E-G-A ♭-B-C.