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The đàn bầu (Vietnamese: [ɗàːn.ɓə̀w]; "gourd zither"; Chữ Nôm: 彈匏), also called độc huyền cầm (獨絃琴, "one-string zither"; the name is only used by the Jing ethnicity in China) is a Vietnamese stringed instrument, in the form of a monochord (one-string) zither.
The kèn bầu (Vietnamese: [kɛ̂n ɓə̂w]) is one of several types of kèn, a double reed wind instrument used in the traditional music of Vietnam. [1] It is similar in construction and sound to the Chinese suona and the Korean taepyeongso. It comes in various sizes and is a primary instrument of the former royal court music of Huế.
This category is for corporations notable for instrument-making as it applies to industrial and/or military applications. Their R&D work may involve basic science, inventing, and the building of one-off or prototype products, but their categorization is focused on their raison d'etre and overall character, which is applied science, manufacturing, and teams of people acting as an organization ...
The government decided to turn Bao Viet into a major finance and insurance group in 2003, enabling it to offer a broad range of financial products other than insurance – a decision that was not implemented until 2007. [4] In 2007 the company established partnerships with national groups such as Vinashin and international companies, namely ...
Bro, a traditional musical instrument of the Bahnar, Sedang, Rhađe, Jarai, and Giẻ Xtiêng peoples of the Central Vietnam Highlands. It is a tube zither. Cảnh. Dong Son drum. Đàn bầu, a Vietnamese stringed instrument in the form of a monochord (one-string) zither. Đàn đá. Đàn đáy. Đàn môi. Đàn gáo. Đàn nhị. Đàn sến.
U.S. Music Corp. is an American musical instrument company based in Buffalo Grove, Illinois, United States, a suburb of Chicago, [1] that manufactures and distributes products worldwide. The company is currently a subsidiary of Canadian corporate group Exertis | JAM. [2]
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[7] The assimilation of this Angolan instrument is evident also in other Bantu terms used for musical bow in Brazilian Portuguese, including urucungo, and madimba lungungu. In 1859 , French journalist Charles Ribeyrolles described free practices of African slaves on a plantation in Rio de Janeiro province, linking the berimbau to the batuque :