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Sampling is one of the foundations of hip hop, which emerged in the 1980s. [34] Hip hop sampling has been likened to the origins of blues and rock, which were created by repurposing existing music. [24] The Guardian journalist David McNamee wrote that "two record decks and your dad's old funk collection was once the working-class black answer ...
Hip hop does not simply draw inspiration from a range of samples, but it layers these fragments into an artistic object. If sampling is the first level of hip hop aesthetics, how the pieces or elements fit together constitute the second level. Hip hop emphasizes and calls attention to its layered nature.
However, in hip hop today, the term break refers to any segment of music (usually four measures or less) that could be sampled and repeated. A break is any expanse of music that is thought of as a break by a producer. In the words of DJ Jazzy Jay: "Maybe those records [whose breaks are sampled] were ahead of their time. Maybe they were made ...
Petter Askergren used bongo samples in his cover of Thomas Di Leva's hit "Dansa din djävul". Rage Against the Machine interpolated parts of the percussion break in their cover of "Renegades of Funk". Hip hop artists Jay-Z and Kanye West sampled the bongo drums on their track "That's My Bitch" from their 2011 collaborative album, Watch the Throne.
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B.Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep).
Pop rap (also known as pop hip-hop, pop hop, hip pop, melodic hip-hop or melodic rap) is a genre of music fusing the rhythm-based lyricism of hip hop with pop's preference for melodic vocals, catchy hooks, and positive lyrics on pop-like productions and structure.
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