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Hyperphantasia is the condition of having extremely vivid mental imagery. [1] It is the opposite condition to aphantasia, where mental visual imagery is not present. [2] [3] The experience of hyperphantasia is more common than aphantasia [4] [5] and has been described as being "as vivid as real seeing". [4]
The first image is bright and photographic, levels 2 through 4 show increasingly simpler and more faded images, and the last—representing complete aphantasia—shows no image at all. Aphantasia ( / ˌ eɪ f æ n ˈ t eɪ ʒ ə / AY -fan- TAY -zhə , / ˌ æ f æ n ˈ t eɪ ʒ ə / AF -an- TAY -zhə ) is the inability to visualize.
Flag sides are usually mirror copy to satisfy manufacturing constraints. Identical flags are much less common and contain an element for which a simple mirror image would be problematic, such as text (e.g. The Flag of Saudi Arabia includes the shahada, an Islamic creed; The Flag of Iraq includes the Takbir) or a geographic feature (e.g.
There has been discussion of whether the Loab series of images are "a legitimate quirk of AI art software, or a cleverly disguised creepypasta." [6] Smithsonian magazine has written that "Loab sparked some lengthy ethical conversations around visual aesthetics, art and technology," and some have criticized the labeling of a woman with rosacea as a horror image, considering this to be ...
The original image of Barbra Streisand's cliff-top residence in Malibu, California, which she attempted to suppress in 2003. The Streisand effect is an unintended consequence of attempts to hide, remove, or censor information, where the effort instead increases public awareness of the information.
In ambiguous images, detecting edges still seems natural to the person perceiving the image. However, the brain undergoes deeper processing to resolve the ambiguity. For example, consider an image that involves an opposite change in magnitude of luminance between the object and the background (e.g.
Décollage is an art style that is the opposite of collage; instead of an image being built up of all or parts of existing images, it is created by ripping and tearing away or otherwise removing pieces of an original image. [1] The French word "décollage" translates into English literally as "take-off" or "to become unglued" or "to become ...
Iconolatry is the opposite of iconoclasm, and it also should not be confused with iconophilia, designating the moderate veneration of icons. Both extreme positions, iconolatry and iconoclasm, were rejected in 787 by the Second Council of Nicaea, being the seventh Ecumenical Council. [1]