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"The Wild Side of Life" is a song made famous by country music singer Hank Thompson. Originally released in 1952, the song became one of the most popular recordings in the genre's history, spending 15 weeks at number one on the Billboard country chart, [1] solidified Thompson's status as a country music superstar and inspired the answer song, "It Wasn't God Who Made Honky Tonk Angels" by Kitty ...
"Lifesong" is a song with a length of four minutes and 37 seconds; [2] the version of the song on Lifesong has a length of five minutes and sixteen seconds. [3] It is set in common time in the key of A major and has a tempo of 112 beats per minute. Mark Hall's vocal range in the song spans from the low note of A 3 to the high note of E 5. [4] "
Theists believe God created the universe and that God had a purpose in doing so. Theists also hold the view that humans find their meaning and purpose for life in God's purpose in creating. Some theists further hold that if there were no God to give life ultimate meaning, value, and purpose, then life would be absurd. [91]
"It Wasn't God Who Made Honky Tonk Angels" is a 1952 country song written by J. D. "Jay" Miller, and recorded by Kitty Wells. It was an answer song to the Hank Thompson hit "The Wild Side of Life". First performed by Al Montgomery as "Did God Make Honky Tonk Angels" on the Feature label which was owned by songwriter J.D. Miller. [2]
No God may also refer to: "No God", a song by Hot Chip from the 2019 album A Bath Full of Ecstasy "No God", a song by Band-Maid from the 2021 album Unseen World;
"A Psalm of Life" is a poem written by American writer Henry Wadsworth Longfellow, often subtitled "What the Heart of the Young Man Said to the Psalmist". [1] Longfellow wrote the poem not long after the death of his first wife and while thinking about how to make the best of life.
Warning: The following contains spoilers for The Sex Lives of College Girls Season 3 finale. Proceed at your own risk! Sophomore year has certainly been eventful for The Sex Lives of College Girls.
The song is a slow ballad in the key of C. [21] [22] In his lyrics, Harrison's directly addresses his deity, whom he describes as variously a lover, a friend, the source of truth, [23] and the essence of all "We taste, touch and feel". [14] He recognises God as both "the breath of life itself" and "the light in death". [24]