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Metric structure includes metre, tempo, and all rhythmic aspects that produce temporal regularity or structure, against which the foreground details or durational patterns of any piece of music are projected. [17] Metric levels may be distinguished: the beat level is the metric level at which pulses are heard as the basic time unit of the piece.
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
Meter is the measurement of the number of pulses between more or less regularly recurring accents. Therefore, in order for meter to exist, some of the pulses in a series must be accented—marked for consciousness—relative to others. When pulses are thus counted within a metric context, they are referred to as beats.
Music inherited the term "meter or metre" from the terminology of poetry. [16] [17] [44]) The metric structure of music includes meter, tempo and all other rhythmic aspects that produce temporal regularity against which the foreground details or durational patterns of the music are projected. [45]
Simple meters are those whose upper number is 2, 3, or 4, sometimes described as duple meter, triple meter, and quadruple meter respectively. In compound meter , the note values specified by the bottom number are grouped into threes, and the upper number is a multiple of 3, such as 6, 9, or 12.
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
S.M., or SM— Short metre, 6.6.8.6; iambic lines in the first, second, and fourth are in trimeter, and the third in tetrameter, which rhymes in the second and fourth lines and sometimes in the first and third. "Blest Be the Tie that Binds" is an example of a hymn in short metre.
The second involves a failure to understand the divisive and additive aspects of meter itself. [1] Winold recommends that, "metric structure is best described through detailed analysis of pulse groupings on various levels rather than through attempts to represent the organization with a single term". [5]