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The following timeline of twentieth-century theatre offers a year-by-year account of the performance and publication of notable works of drama and significant events in the history of theatre during the 20th century. Musical theatre works are excluded from the list below.
Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of ...
1940 proved to be a pivotal year for African-American theater. Frederick O'Neal and Abram Hill founded ANT, or the American Negro Theater, the most renowned African-American theater group of the 1940s. Their stage was small and located in the basement of a library in Harlem, and most of the shows were attended and written by African-Americans.
A defining aspect of theatre of the 1920s was the development of jazz. [1] Jazz was credited with being the "first distinctively American art form to disseminate US culture, style, and modernity across the globe". [1] Jazz's spread across the globe also applied to American lives and art forms.
3 20th century. 4 21st century. 5 See also. ... Theater of the United States; ... An Outline History of American Drama, 2nd ed., New York: Feedback Theatrebooks ...
Opening night, 1986. August Wilson’s play “Joe Turner’s Come and Gone,” Huntington Theatre Company in Boston. Patti Hartigan, a rising young critic and arts writer, took her seat for the ...
Expressionism on the American stage: Paul Green and Kurt Weill's Johnny Johnson (1936). Expressionism was a movement in drama and theatre that principally developed in Germany in the early decades of the 20th century. It was then popularized in the United States, Spain, China, the U.K., and all around the world.
Theatre companies in America thrived through touring in the late nineteenth and early twentieth century. The Syndicate just required key theatres between the big touring cities to gain control of the situation. The Syndicate did not require control of the city's theatres. It just had to keep track of theatres on the highways leading into the city.