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The Madonna della Loggia is a painting attributed to the Italian Renaissance artist Sandro Botticelli, dating to c. 1467. A tempera on panel work, it is located in the loggia of the Uffizi, Florence, Italy. This is one of the earliest works of Botticelli where he painted a portrait of the Virgin Mary with Jesus Christ as a child, sitting in a ...
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
[7] [8] Ultramarine was usually reserved for only the most important commissions, such as the blue robes of the Virgin Mary in Gérard David's Virgin and Child with Female Saints. While the Italian term Madonna paralleled English Our Lady in late medieval Marian devotion, it was imported as an art historical term into English usage in the 1640s ...
The Virgin appearing to St. Bernard; Virgin in Glory with Saints; The Virgin in Prayer; Virgin Mary (El Greco, Madrid) Virgin Mary (El Greco, Strasbourg) The Virgin Mary and Saint Francis Saving the World from Christ's Anger; The Virgin Mary as a Child Praying; The Virgin of Charity (El Greco) Virgin of Mercy (Filippo Lippi) Virgin of Mercy ...
The Virgin Mary is portrayed with her right hand expressing milk from her exposed breast and gesturing to the Child, the latter being supported by an angel. The Italian name (padiglione meaning "pavilion") derives from the rich baldachin over the scene. The open book on a small prie-dieu is a familiar symbol of Christ, the "word [of God] made ...
The Madonna and Child with St. Anne (Dei Palafrenieri) or Madonna and the Serpent [1], is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms (Italian: Arciconfraternita di Sant'Anna de Parafrenieri) [2] in the Basilica of Saint Peter [3] and taking its theme from Genesis 3:15.
The Virgin Mary is wearing a blue blouse (not black), and a dark red or crimson mantle. Behind her, a dark grove of trees looks like a mountain. The painting appeared next to a fountain, in the place where the future Dominican convent in San Juan would be founded, sometime between 1511 and 1522.
The Madonna del Rosario, c. 6th century, (70.2 x 40.5 cm). The Madonna del Rosario is an icon of Mary commonly dated to the sixth century or earlier. [1] It is an early version of a type of icon known as the Agiosoritissa or the Maria Advocata, in which Mary is depicted without the Christ Child, with both hands raised.