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"Death Don't Have No Mercy" is composed with words and music by Davis. It features techniques of arrangement and performance from his gospel songs, alongside his style of blues guitar. [20] Davis' guitar accompaniment for the song is a relatively simple chord progression, performed in the key of G-flat major.
The Two Gospel Keys recorded "You've Got to Move", which was released on a 78-rpm record in 1948. [1] Emma Daniels (vocals and guitar) and Mother Sally Jones (vocals and tambourine) comprised the gospel music duo. [2]
Preaching chords are blues/gospel-inspired chords played on a Hammond organ or piano, and many times with a drum set as well, near the end of a pastor or minister's sermon to accentuate, emphasize, and respond to them in a musical way.
Jesus Met the Woman at the Well" is a traditional gospel song. It relates the story of the meeting between Jesus and the Samaritan Woman , found in the Gospel of John at 4:4-26 . One of the earliest recordings, by The Pilgrim Travelers (1950), credits the song as "Traditional, arranged by J. W. Alexander ".
"It's Nobody's Fault but Mine" was one of the first songs recorded by Johnson for Columbia Records.The session took place in Dallas, Texas, on December 3, 1927. [3] Columbia released it as his second single on the then-standard 78 rpm record format, with "Dark Was the Night, Cold Was the Ground" as the second side. [5]
It is often included in Gospel music and a cappella concerts, songbooks, and Christian children's songbooks. [1] The song was written by George William Cooke. Cooke was born in Doncaster, Yorkshire, England in 1884 and died in Jamestown, New York in 1951. He was the author of "Joy in My Heart" which was copyrighted in 1925 (but not renewed).
With this passage in mind, he picked up his guitar and, as he sang, the words to the song flowed out, but he was not satisfied with the chorus and felt that it did not flow well with the song. For several months, he struggled with the chorus and even put the song aside for about six months before finally finishing it. [3]
In 1940 Kenneth Morris arranged and published for the first time the well-known version after gospel musicians Robert Anderson and R.L. Knowles listened to William B. Hurse direct a performance of it in Kansas City and then brought it to Morris' attention. [7] Morris added some new lyrics and a choral arrangement. [7]