Search results
Results From The WOW.Com Content Network
The best Cuban lyrical singer in the 20th century was the operatic tenor Francisco Fernandez Dominicis (Italian name: Francesco Dominici) (1885-1968). The best Cuban female lyrical singer in the 20th century was the mezzo-soprano Marta Perez (1924-2009). She sang at La Scala in Milan, Italy in 1955. [71]
The first Cuban popular music genres that emerged to the public awareness at the beginning of the 19th century, known as Punto cubano and Zapateo, [6] were created by peasants without any formal musical education; as well as the popular styles of Rumba Urbana or "de cajón" (wooden boxes) and the Cuban Carnival Conga (music). [7]
Son cubano developed in the late 19th century and soon became the most important genre of Cuban popular music. [2] In addition, it is perhaps the most flexible of all forms of Latin American music, and is the foundation of many Cuban-based dance forms, and salsa. Its great strength is its fusion between European and African musical traditions.
Songo is a genre of popular Cuban music, created by the group Los Van Van in the early 1970s. Songo incorporated rhythmic elements from folkloric rumba into popular dance music, and was a significant departure from the son montuno/mambo-based structure which had dominated popular music in Cuba since the 1940s.
Trova is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as trovadores who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. [1]
The song "Qué Te Pasa" by Mexican singer Yuri spent 16 weeks at number one in 1988, becoming the longest-running chart topper of the 1980s, followed by fellow Mexican performer Ana Gabriel, who spent 14 weeks (in two separate runs) at the top with her single "Ay Amor". [9] Cuban singer-songwriter Gloria Estefan became the first artist to ...
The album contained fourteen tracks and was recorded in six days. It opened with "Chan Chan" written by Compay Segundo, a four-chord son (Dm, F, Gm, A7) that was to become what Cooder described as "the Buena Vista's calling card"; [6] and ending with a rendition of "La bayamesa", a traditional Cuban patriotic song (not to be confused with the Cuban national anthem of the same name). [7]
At the time of greatest popularity of “El amor de mi bohío”, the Cuban Society of Authors paid Julio Brito 40 cents in royalties. In Bohemia magazine, the journalist points out that all those involved in the diffusion of “ the song that is most played, sung and danced today throughout Cuba and Mexico ” [ 15 ] charged for interpreting ...