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International attention to the Statue of Liberty's poor state was called upon the restoration of similarly-built Aimé Millet's Vercingétorix statue in eastern France. [1] Much of the Statue of Liberty restoration effort was based on unprecedented restorative methods, as metallurgical repair work on such a large scale had never been attempted.
Cement mortar can be chiselled away with a hammer and chisel gradually. Plaster is easily removed through mechanical methods such as chiselling and chipping away with sharp implements. Saws, drills, and other mechanical methods can be used to remove the bulk of protruding materials; however, scratches, chips, and breaks can occur.
Although the sculpture received regular maintenance, early repair crews often did more harm than good, by using techniques such as sandblasting and patching cracks with rigid materials. [2] [28] By the 1980s the sculpture was crumbling; cracks had developed, details of the figures had worn away, and moisture had eroded the internal structure. [28]
Polymer cement overlays are used for interior and exterior applications ranging from: Skim coat/broom finish concrete resurfacing – Restore and protect damaged, pitted, flaking and stained concrete back to the look of a new concrete surface. Concrete regrading & leveling – Repair and level concrete surfaces that have settled.
The copper statues were manufactured by Friedley-Voshardt Co. (Chicago, Illinois) and purchased through the Kansas City Boy Scout office by those wanting one. The statues are approximately 8 + 1 ⁄ 2 feet (2.6 m) tall without the base, are constructed of sheet copper, weigh 290 pounds (130 kg), and originally cost $350 plus freight. The mass ...
The statue, made entirely of reinforced concrete, used a special hydrostatic cement mixture that had been developed for the construction of the Ostankino Tower in Moscow. [26] The statue's structure featured an internal framework of vertical and horizontal diaphragms forming cells that were 3 metres (9.8 ft) wide, 3 metres deep, and 4 metres ...
White's cement statue later was used to produce two bronze casts in 1928, and six bronze casts in 1987. [18] The cement statue is now in the collection of the Amon Carter Museum of American Art. [19] Saint-Gaudens National Historic Site, plaster. Saint-Gaudens's 1894 model. Amon Carter Museum of American Art, cement. Stanford White's 1894 copy ...
The statue was removed from its pedestal in September 1989 to make room for installation of the bronze cast. [3] The City planned to store the concrete statue until the completion of a planned farm implements museum, where it was to be installed. [11] The inauguration of this museum was delayed when its chief proponent, Bob Pfeiler, became ill ...