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A flatback octave mandolin. The octave mandolin (US and Canada), termed the octave mandola in Britain and Ireland and mandola in continental Europe, is tuned an octave below the mandolin: G 2 –D 3 –A 3 –E 4. Its relationship to the mandolin is that of the tenor violin to the violin, or the tenor saxophone to the soprano saxophone. Octave ...
The flatback instrument was the result of a corroboration between an Italian luthier and an Algerian musician and was used initially for Chaabi. It has since spread to other music forms. Prominent players today include Mohamed Rouane, Takfarinas, Mohamed Abdennour (P'tit Moh), and Abderrahmane Abdelli.
Even as the second wave of mandolin popularity declined in the early 20th century, players began using new versions of the mandolin in new forms of music. [62] Luthiers created the resonator mandolin, the flatback mandolin, the carved-top or arched-top mandolin, the mandolin-banjo and the electric mandolin.
It is a guitar sized instrument, resembling a flatback mandolin with 18 strings, arranged in 6 courses, three strings per course, and played with a pick. [1] [2] It is associated with the típica orquestra (typical orchestra) in Mexico, especially the 1884 Orquesta Típica Mexicana (Mexican Typical Orchestra), first organized by Carlo Curti. [3]
His earliest known instrument was a 10-string mandolin-guitar, which bears the date 1894. [2] Gibson's mandolins were "unlike any previous flatback instrument," according to music historian Paul Sparks. His company's manufacturing standards were very high, and his instruments heavily marketed.
The Algerian mandole is a stringed instrument, with an almond shaped body, built in a box like a guitar, but almond shaped like the mandola with a flat back, raised fingerboard, and wide neck (as a guitar's). [2] It can have eight, ten, or twelve strings in doubled courses, and may have additional frets between frets to provide quarter tones.