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It was first sung at a fireworks display at the Stadium the night before a Home game against Plymouth Argyle in 1950. During the game, the following day, Rovers were winning quite comfortably and the few Argyle supporters present began to leave early prompting a chorus of "Goodnight Argyle" from the Rovers supporters—the tune stuck and ...
“Sedentary people have more trouble having their bowels empty,” she explains. “Remember, the longer that you sit down the higher the chances are to develop symptomatic hemorrhoids and ...
The original lyrics are probably by Mozart himself; [1] they include the words for "good night" in five different languages (Latin, Italian, French, English, and German). [2] [3] The phrase "gute Nacht, gute Nacht, / scheiß ins Bett daß' kracht", found in the fourth-to-last and third-to-last lines, closely resembles a similar expression found in a postscript to one of Wolfgang's letters by ...
No good [8] blind 1. Alternate names for intoxicated; Drunken bout; see § drunk [37] [b] blind date. Main article: Blind date. An appointment is set for a show or dance where your partner is someone you don't know, usually a friend of a friend [38] blind pig. Main article: Speakeasy. Unlicensed, illegal drinking establishment e.g.
Getting your body moving can help your bowels do the same. “Regular physical activity, even simply walking, can help to stimulate your bowels to make your stools more regular,” says Moore.
The album included the singles "She's So Modern", "Like Clockwork" and "Rat Trap". [2] " She's So Modern" reached number 12 on the UK Singles Chart . [ 3 ] The most commercially successful track on the album was "Rat Trap", which made it to Number 1 on the UK Singles Chart.
His bass lines are evident on such Boomtown Rats songs as "Rat Trap", "Banana Republic" and "Like Clockwork", the last two of which he co-wrote with Bob Geldof. Briquette was the only Rats member who frequently collaborated with Geldof as a solo artist, playing on some of his biggest hits such as "Great Song of Indifference" and "Love or ...
The album and its title track, a feedback-drenched number taking a third of the album's length, introduces the subversion of Christian themes explored on later songs, describing a mystical approach to salvation in which "the Kingdom of Heaven is within" and achievable through freeing one's mind, after which one's "ass" will follow.