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Rocking Chair, Model 1, ca 1860 Brooklyn Museum "Chair no. 14" ("Konsumstuhl Nr. 14") from 1859 Michael Thonet (2 July 1796 – 3 March 1871) was a German-Austrian cabinet maker , known for the invention of bentwood furniture.
Original version without braces showing the cane seat. The No. 14 chair is the most famous chair made by the Thonet chair company. Also known as the "bistro chair", it was designed in the Austrian Empire [1] by Michael Thonet and introduced in 1859, becoming the world's first mass-produced item of furniture.
Gebrüder Thonet or the Thonet Brothers was a European furniture manufacturer. Three firms descended from the original company remain active today, in Germany (Thonet GmbH), Austria (Thonet Vienna) and the Czech Republic (TON).
A Thonet rocking chair. A rocking chair or rocker is a type of chair with two curved bands (also known as rockers) attached to the bottom of the legs, connecting the legs on each side to each other. The rockers contact the floor at only two points, giving the occupant the ability to rock back and forth by shifting their weight or pushing ...
No. 14 chair Cradle by Gebrüder Thonet (ca. 1870) Bentwood objects are made by wetting wood (either by soaking or by steaming), then bending it and letting it harden into curved shapes and patterns. Furniture-makers often use this method in the production of rocking chairs, cafe chairs, and other light furniture
601 Chair by Dieter Rams. 10 Downing Street Guard Chairs, two antique chairs used by guards in the early 19th century; 14 chair (No. 14 chair) is the archetypal bentwood side chair originally made by the Gebrüder Thonet chair company of Germany in the 19th century, and widely copied and popular today [1]
In furniture making this method is often used in the production of rocking chairs, cafe chairs, and other light furniture. The iconic No. 14 chair by Thonet is a well-known design based on the technique. The process is in widespread use for making casual and informal furniture of all types, particularly seating and table forms.
The first results of the collaboration were three chrome-plated tubular steel chairs designed for two of his projects, The Maison la Roche in Paris and a pavilion for Barbara and Henry Church. The line of furniture was expanded for Le Corbusier's 1929 Salon d'Automne installation, 'Equipment for the Home'.