Search results
Results From The WOW.Com Content Network
Lakmé is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille.. The score, written from 1881 to 1882, was first performed on 14 April 1883 by the Opéra-Comique at the (second) Salle Favart in Paris, with stage decorations designed by Auguste Alfred Rubé and Philippe Chaperon (act 1), Eugène Carpezat and (Joseph-) Antoine Lavastre (act 2), and ...
Philippe Emile François Gille (10 December 1831 – 19 March 1901) was a French dramatist and opera librettist, who was born and died in Paris. [1] He wrote over twenty librettos between 1857 and 1893, the most famous of which are Massenet 's Manon and Delibes ' Lakmé .
Delibes was born in Saint-Germain-du-Val, now part of La Flèche (), on 21 February 1836; [1] his father worked for the French postal service and his mother was a talented amateur musician, the daughter of an opera singer and niece of the organist Édouard Batiste. [2]
Macdonald, Hugh (1992), "Delibes, Léo" in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7; Reel, James. Léo Delibes – compositions at AllMusic; Some of the information in this article is taken from the Dutch Wikipedia article
Rossini's opera has enjoyed a high critical reputation throughout the years: 19th-century critic Henry Chorley said that "there is not a bad melody, there is not an ugly bar in Le comte Ory", and Richard Osborne, writing in Grove Music Online, calls details that the work is one of the "wittiest, most stylish and most urbane of all comic operas".
Mady Mesplé (7 March 1931 – 30 May 2020) was a French opera singer who was considered the leading coloratura soprano of her generation in France, and sometimes heralded as the successor to Mado Robin, with Lakmé by Delibes becoming her signature role internationally.
Cohen conducted the Opéra de Nice from at least the 1936/1937 season, [3] an example of which was an all-Ravel opera and ballet evening in 1937. [4] His appointment there was warmly welcomed by both public and critics. [5] Outside France, he conducted Lakmé in Geneva in 1934, with Vina Bovy in the title role. [6]
Bidu Sayão made her U.S. debut in a recital at Town Hall in New York City on 30 December 1935. Her U.S. operatic debut followed on 21 January 1936 when she and Danise sang in the penultimate production of the Washington National Opera, a semi-professional company not associated with its modern namesake; the performance of Léo Delibes's Lakmé was marred by a fractious dispute in which the ...