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Deadpool became the first film of 2016 to top the box office for three consecutive weekends. [12] 10: March 6, 2016: Zootopia: $75,063,401: Zootopia broke The Lorax ' s record ($70.2 million) for the biggest March opening for an animated film and Frozen ' s record ($67.4 million) for the highest wide opening weekend for a Walt Disney Animation ...
Opening Title Production company Cast and crew Ref. J A N U A R Y 8: The Forest: Gramercy Pictures / Focus Features: Jason Zada (director); Ben Ketai, Sarah Cornwell, Nick Antosca (screenplay); Natalie Dormer, Taylor Kinney, Yukiyoshi Ozawa, Eoin Macken
This chart ranks films by gross adjusted for ticket price inflation up to 2020 levels, based on data from Box Office Mojo, which was last updated in 2019 based on an average domestic movie ticket price of $9.01, and applying the Template:Inflation for the following years up to 2023 levels, due to the lack of updates on the original source. [7]
Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...
It later became the highest-grossing animated film at the domestic box office, surpassing Shrek 2 ($441.2 million in 2004). It became the first animated film to cross $450, $460, $470, and $480 million at the domestic box office. Along with Zootopia, it became one of two animated films to earn over $1 billion in the same year, a first. It also ...
Pages in category "Lists of 2016 box office number-one films" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes. A.
Lists of 2016 box office number-one films (19 P) ^ Film series introduced in 2016 (4 C, 12 P) + 2016 film festivals (1 C, 23 P) 2016 film awards (2 C, 114 P) A.
Box-office figures are reported in the form of either gross receipts or distributor rentals, the latter being especially true of older films. Commonly mistaken for home video revenue, the rentals are the distributor's share of the film's theatrical revenue i.e. the box office gross less the exhibitor's cut.