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Shylock (/ ʃ aɪ ˈ l ɒ k /) is a fictional character in William Shakespeare's play The Merchant of Venice (c. 1600). A Venetian Jewish moneylender, Shylock is the play's principal villain. His defeat and conversion to Christianity form the climax of the story.
The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598.A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
See the other part of a character's title where "Roman" is used as an adjective (e.g. see "Captain" for "Roman Captain"). See also Citizen, which is Shakespeare's more usual description for unnamed Romans. Similarly, see Plebeians, Senators, Tribunes; Romeo is a title character in Romeo and Juliet.
Jessica is the daughter of Shylock, a Jewish moneylender, in William Shakespeare's The Merchant of Venice (c. 1598).In the play, she elopes with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household.
In this play, Shylock is a good man and the good friend of Antonio, the title character in Shakespeare's play. [10] They bond in their love of knowledge and mutual dislike of the antisemitism in their community. [11] [12] Shylock's demand for a pound of flesh is meant as a jest, but he cannot retract it. Both Shylock and Antonio are relieved ...
Numerous characters are clowns, or are comic characters originally played by the clowns in Shakespeare's company. See also Fool and Shakespearian fool. A cobbler and a carpenter are among the crowd of commoners gathered to welcome Caesar home enthusiastically in the opening scene of Julius Caesar. Cobweb is a fairy in A Midsummer Night's Dream.
Antonio is one of the central characters in William Shakespeare's play The Merchant of Venice. He is portrayed as a wealthy and respected merchant residing in Venice, known for his generosity and melancholic disposition. Antonio is a close friend of Bassanio, another important character in the play, and their element of the story.
Characters, to him, centres excessively on Shakespeare's characters and, worse, Hazlitt "confuses fiction and reality" and discusses fictional characters as though they were real people. [331] Yet he also notes, a half-century after Saintsbury, and following Schneider's lead, that for all of Hazlitt's impressionism, "there is more theory in ...