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The world itself is text; a reference to a pure meaning prior to language cannot be expressed in it. [38] As he stressed, "the subject is not some meta-linguistic substance or identity, some pure cogito of self-presence; it is always inscribed in language". [39] Michel Foucault challenged the foundational aspects of Enlightenment humanism. [40]
Thomas Hobbes is an example of misanthropy in early modern philosophy. His negative outlook on humanity is reflected in many of his works. For him, humans are egoistic and violent: they act according to their self-interest and are willing to pursue their goals at the expense of others.
Anthropocentrism tends to interpret the world in terms of human values and experiences. [4] It is considered to be profoundly embedded in many modern human cultures and conscious acts. It is a major concept in the field of environmental ethics and environmental philosophy , where it is often considered to be the root cause of problems created ...
Property scholars define dehumanization as "the failure to recognize an individual's or group's humanity." [74] Dehumanization often occurs alongside property confiscation. When a property takeover is coupled with dehumanization, the result is a dignity taking. [74] There are several examples of dignity takings involving dehumanization.
For example, Hassan is a known scholar whose theoretical writings expressly address postmodernity in society. [24] Beyond postmodernist studies, posthumanism has been developed and deployed by various cultural theorists, often in reaction to problematic inherent assumptions within humanistic and enlightenment thought.
Existential nihilism is the philosophical theory that life has no objective meaning or purpose. [1] The inherent meaninglessness of life is largely explored in the philosophical school of existentialism, where one can potentially create their own subjective "meaning" or "purpose".
Elon Musk’s love of video games is well-documented. The night he decided to buy Twitter, the social media platform now known as X, he played video games until 5:30 a.m., his biographer Walter ...
The entire substantial sub-genre of alternative history works depicting a world in which Nazi Germany won the Second World War can be considered as dystopias. So can other works of Alternative History, in which a historical turning point led to a manifestly repressive world. For example, the 2004 mockumentary C.S.A.: